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—from Allie Hoglund Three months ago, we launched the Hermanas Ambassador Program with a simple intention: to create space for women who deeply resonate with our movement — and invite them to co-create what Hermanas could look and feel like in their own cities. We didn’t set strict guidelines or fixed formats. We didn’t try to control what community “should” look like. We trusted them. Their vision. Their leadership. Their way. I’ve had the privilege of meeting every woman who’s joined so far, and it’s been the most rewarding and energizing experience. Their passion, generosity, and collaborative spirit are a constant reminder of why Hermanas exists in the first place. Here are three things I’ve learned from walking alongside these 50 women: 1. Community doesn’t need to look one way to be powerful. There’s no centralized formula — and that’s exactly what makes it work. Every city, every gathering has its own rhythm. Each woman leads in her own voice, in tune with her context and community. And the result is something more dynamic, more inclusive, and more real than anything we could have designed from the center. From Berlin to Bogotá, ambassadors have shaped Hermanas in ways that reflect their culture, energy, people, and talents. In that diversity, the deeper essence of Hermanas comes alive. And yet, even across cultures, languages, and landscapes — there’s a shared pulse. A feeling. A knowing. A desire to belong, to build, and to support one another with care. 2. When women are given space, they lead with generosity. None of this has been about ego or recognition. Every ambassador has offered her time, energy, and creativity out of a genuine desire to build something meaningful. And when women are trusted, they lead with heart, intention, and care. Trust has been our framework — create space, extend the invitation, and let something meaningful grow. 3. This is just the beginning. We’ve only scratched the surface of what’s possible. As women connect across cities, deeper collaborations and creative initiatives are already starting to spark. There are still so many places waiting for this kind of community — and so many women ready to lead in their own way. That’s why we’re expanding the program: to welcome more voices, more visions, and more local expressions of something deeply shared. To those who feel the spark and want to join the program: we’d love to hear from you ( 🔗 ). To our first 50 ambassadors:  thank you. You are the soul of this movement. Let’s keep building — together. With love, Allie Head of the Ambassador Program at Hermanas

By Shayana Attia A confrontation of the silent expectations placed on women to be “nice” at the cost of their authenticity. In October 2021, I was  destroyed . Everything I knew about myself  shattered . It was the catalyser for Rebirth. Jumping back a few months — lockdown. My most trusted companion, my cat, my first cat, died in April 2021. The grief was  unbearable . I was emotionally unstable. I packed my life in Goa into bags and moved to Auroville, desperately trying to  find my footing . My mental health spiraled — crashing, rising, falling again — a rollercoaster of emotions, hopes, and  shoulds , trying to make sense of everything without  losing myself.  Without  losing my mind. October 2021. Desperate for solace — and, if I’m honest, still hoping he meant it when he said I was his true love — I invited myself on a trip with my  ex and his crew . We left Auroville for Hyderabad. That’s where I met a typical Conservative Indian Woman but really it could have been any typical Conservative Woman, I’ve met so many over time even in my own family. Have you ever met one? I was in a  mental daze , ungrounded for months, drifting in survival mode. And in that fog, I  fell into the trap  — the deeply ingrained pattern of  people-pleasing , despite the screaming voices in my head saying,  Get the fuck out of there. I  tried to contribute . I felt the  judgmental eyes  watching me, weighing me. I  shrank . In that situation, of course I hid as far as I could. I ran  inside myself , disowning parts of me, molding myself into something more  palatable  — anything to make them comfortable, trying to please and make people happy except myself.. And then, one  tiny detail  set it all off. There was a French song playing “Balance ton quoi” from Angele and I got asked, by the said woman, what does it say and I translated it using the literal translation the word fuck at some point. When she heard that, she called the only other girl there and told me: “She is a nice girl!”. That struck me like a  punch to the gut . I really took it to heart and for the rest of the time I tried to be this  ‘nice girl’ . What Even Is a ‘Nice Girl’? A  nice girl  in a conservative, patriarchal society is: • A girl who talks  softly , stays  polite , doesn’t get  angry , and doesn’t make  noise • A girl who  obeys , who  follows , who serves the men • A girl who studies — because we’re all  modern  now, right? — but still  quits her job the moment children arrive • A girl who  sacrifices  her own dreams because a nice girl put her needs aside for the “greater good” of family, husband, society. And who enforces this?  Women themselves. Women perpetuate the  “Nice Girl” doctrine , teaching younger women that this is how they  should  behave. This is how they  must  behave. It , thus, gives them the ability to relinquish the responsibility of their fulfilment/joy. The husband, the kids or family are then expected to care for making mama proud and in our dysfunctional units it doesn’t really happen anymore. So the girl that is now a woman starts to complain, become angry, starts blaming and gossiping. Jealousy and comparison between households are used to find some kind of purpose and meaning from all their should. Imagine How Exhausting That Is. Well if you’re like me, you dont have to imagine, you’ve been playing this role for way too long, trying to people please and to meet their unsaid expectations. I got  fried . Didn’t you? I split myself apart, trying to  destroy  the pieces that felt too wild, too crazy — when all they needed was  integration . Even on my spiritual path, all this fucking new age belief of not being angry and remaining calm or dismissing any negative emotions because we need to feel happy at all cost and maintain a “positive attitude”. But what about the raw expression of who we really are? Are You Happy in This Society? We don’t  feel  anymore. We don’t  trust  anymore. The Truth? The truth is I’ve never been a “nice girl”, I’ve never tried to hide it either. I am raw and wild, loving and kind, crazy and calm, abundant and unstoppable. I’m loud. I make lots of noise. I take a whole lot of space. I care too much, I feel deeply and fully. I laugh my heart out and I cry to fill up rivers. I’m raw and sometimes I don’t know how to express what I have inside. I wear it on my sleeve along with my heart. I feel my feelings and I’m proud of it. I’m not for everyone but at least I am for myself. I protect my loved ones but not at the cost of my self-respect and dignity. Never Again. All my life, I stood up for equality. I freed myself from others’ judgement. I owned my sexual freedom. I won some battles and lost some. I am proud to be the human being I am… One that is free, authentic, playful and can say fuck without even second guessing it… So  I DECLARE NOW It’s time to wake up to OneSelf, to Oneness The time of being nice is over It is time to be true, to be authentic Claim the beauty, Embody MahaSaraswati Claim the power, Embody MahaKali Claim the light, Embody MaheShwari Claim the love, Embody MahaLakshmi Be MahaShakti Be the Shekhina Be the Divine Feminine By Shayana Attia Substack : The Voice of the Unseen

By Kyla Danae In this raw and heartfelt reflection, Hermanas ambassador shares the emotional landscape of caring for her terminally ill mother alongside her sisters. Through grief, resilience, and unexpected moments of grace, she invites us to consider what sisterhood truly means—in family, in community, and in the quiet spaces where women hold each other up. For the past 2 months, my siblings and I have been taking care of our mother, who has terminal cancer. In the beginning of January, she was given a life sentence. I had such positive expectations for the new year that I would’ve never guessed this would be the start of the new year. There’s no rulebook for how to handle this. It feels like grieving, but the person you love is still here. Cancer is so common that people have become numb to it. We scroll past stories of suffering, feel something for a moment sadness, sympathy, or nothing at all then move on with our lives. But when it happens to your family, it doesn’t feel common. It’s personal. It’s consuming. And no matter how much you’ve seen it happen to others, nothing prepares you for what it’s like when it’s your reality. I come from a big family 12 siblings and for the first time in five years, we’re all together, brought back under one roof because of our mother. In the last two months, I’ve felt every possible emotion: shock, sadness, anger, confusion, depression, stress, even happiness in fleeting moments. No one teaches you how to exist in this emotional chaos. The world is a strange and scary place to navigate sometimes. Even though my mother was told she has less than six months to live, we’re still here, still processing, still trying to take it all in. For Women’s Month, I want to dedicate this to my mother and my sisters, strong women who have come together in different ways and with different strengths to care for her, for each other, and for our family. In the midst of heartbreak, they are a reminder of what resilience, love, and womanhood truly mean. March is Women’s History Month and also a time to acknowledge the reality of cancer. Behind every diagnosis is a family doing their best to hold it together and right now, that’s all we’re trying to do. beyond family, this experience has made me think about the broader idea of sisterhood and community. How do we, as women, show up for each other in grief, in care, in love? In moments of loss and uncertainty, it’s the strength of the women around us that carries us forward. Whether by blood or by bond, the way we hold space for one another is what truly defines us. Meet Kyla Kyla Greene is a multi-hyphenate creative and natural connector who lives boldly outside the box. A lifelong questioner of the status quo, she’s driven by deep curiosity, creative expression, and a desire to help others break free from fear. Whether through writing, travel, art, or honest conversations, Kyla uses her own lived experiences to inspire transformation and courage in others. With a background in digital marketing, event planning, and film direction, she brings a unique blend of storytelling, strategy, and soulful leadership to every space she enters. As a mentor, she guides fellow creatives toward clarity, confidence, and the freedom to live—and earn—on their own terms. Kyla Danae is an Hermanas ambassador.

By Julieta Ruiz Success isn’t just about what we achieve—it’s about who we grow with. In this reflection, Hermanas ambassador Julieta shares how Hermanas has fueled both professional and personal growth—expanding her network, strengthening Zep Tepi’s recruitment services, and ultimately, inspiring her to give back as an ambassador. Watch the video to see what this journey has meant to her. "What started as a space for connection and collaboration turned into something far more profound: a network of women supporting, uplifting, and opening doors for each other in ways that redefine what success looks like. Through career chats, @julietazeptepi found an incredible pool of talent that has directly fueled the recruitment services at Zep Tepi. But beyond that, this community has been a firsthand experience of the power of shared growth, where resources, ideas, and opportunities circulate not just professionally, but personally. It’s a reminder that true success isn’t built in isolation, even though the Remote working culture Era can make us feel like that sometimes. Becoming an ambassador for Hermanas is our way of honoring this impact: giving back to a space that has helped shape Zep Tepi into what it is today. If you’re looking for a community where business, leadership, and personal growth intertwine, this is your invitation. A space where ambition and deep self-inquiry don’t just coexist, they fuel each other." Meet Julieta Julieta Ruiz is the visionary behind Zep Tepi , a leadership and recruitment consultancy merging business strategy with conscious evolution. With a background spanning marketing, creative operations, and holistic coaching, she has built a career on unlocking hidden genius and optimizing team dynamics. Rooted in a deep understanding of human potential, Julieta’s approach fuses intuitive insight with strategic execution, guiding individuals and businesses toward alignment, growth, and impact.

By Fiona In this deeply honest reflection, Hermanas ambassador Fiona explores the invisible barriers that hold many of us back from fully embracing community—and how we can move beyond them. What does community mean to you? What are you actually doing to nurture one? Community requires you to show up. I hear it all the time—women craving community, longing for a space to belong, to connect, to be seen. But let me ask you: What are you actually doing to nurture one? Community doesn’t just magically appear. It takes effort. It takes vulnerability. It takes a willingness to show up—not just for others, but for yourself. What holds you back? I created FemTRIBE (my women in business community) because I, too, felt that longing. I wanted to be surrounded by other women navigating the same journey—building businesses, chasing dreams, figuring it all out as we go. I knew I wasn’t alone in that feeling. So I built a space where we could gather, share tools, exchange advice, feel supported as we grow together. But over the years, I’ve noticed something... A pattern. A block that holds so many women back from fully stepping into community. Shame Shame in sharing what they do because they’re not “there” yet—wherever there is. Money shame—the belief that if they aren’t making enough, they’re not “real” entrepreneurs. Feeling like they don’t quite fit in, because of their impossible standards of what success is. Comparison The quiet undercurrent of competition that whispers; "She’s further ahead than me” or “Why am I struggling when she’s thriving?” Instead of seeing other women’s success as proof of what’s possible, comparison turns it into evidence of our own inadequacy. It creates distance, even when we crave connection. Fear Fear of showing up. Of meeting new women. “What if I put myself out there, and no one cares?” Fear of taking time away from the business, believing that if you pause—even for connection—you might fall behind. But connection is what fuels our growth! Resistance The resistance of asking for help and receiving support. Because somewhere along the way, we were taught that needing support is weakness and a sign of failure. Maybe you recognise yourself in one of these? Maybe you’ve felt the pull of community but also the hesitation to fully step in? This includes me... This isn’t to call you out or create more shame. This is a reflection—a truth I’ve witnessed in my years of holding space for women. And I’m not exempt from it either. I’ve wrestled with my own shadows of comparison, of feeling not enough, of wishing for help yet not asking for it. The sisterhood wound The sisterhood wound—the fear of judgment, the competition, the self-doubt—it runs deep. Many of us have experienced exclusion, gossip, or toxic competition in the past. This creates hesitation and distrust—even if you crave connection, you fear being hurt again, and I get it! If we don’t look at this, name it, and heal it, we unintentionally keep ourselves stuck in the very thing we say we want to move away from. So, I ask you again—What does community mean to you? And more importantly, how are you choosing to show up for it? Let’s talk. Let’s unpack it. Let’s build something real —together. Meet Fiona Passionate about guiding others to shed limiting beliefs, reconnect with their true essence, and step into a life of self-worth and authenticity. Her journey with endometriosis led her to the healing power of ceremonial cacao, sparking a deeper exploration into menstrual cycle wisdom, nervous system regulation, reiki, and somatic therapy. Through her workshops and events, Fiona creates spaces for women to soften into their bodies, release emotional barriers, and cultivate deep self-trust and compassion. Fiona is an Hermanas ambassador in Barcelona and is co-hosting an event on the 15th of March. See more & Join.

MARCH WITH HERMANAS   — RSVP to show your interest in marching with us In Mexico, March 8th is not a celebration—it is a reckoning.  It is a day when grief turns into movement, when rage transforms into unity. Across the country, thousands of women take to the streets, their voices merging into one. They march for those who can no longer walk beside them, for justice that remains out of reach, for a future where safety is not a privilege but a right. Why Women March The march is a protest, a ritual of remembrance and resistance. It is a collective cry for the mothers, daughters, sisters, and friends  who are missing or whose lives were stolen too soon. Each name chanted carries weight. In Mexico, 11 women disappear every day. Justice, for many, never comes. Women march because they live in a country where walking home alone can mean never making it home.  Where reporting assault, harassment, or domestic violence  too often leads to blame instead of protection . Where the right to safety, autonomy, and justice still feels out of reach for too many. They march because laws exist, but enforcement does not.  Because survivors are silenced, aggressors walk free, and impunity has become the norm. Because violence against women is systemic—woven into institutions and ignored by those in power. Silence has never been an option. Women march because they must. Because the system continues to fail them. Because the fear they have carried for generations deserves to be spoken aloud. And because, for a few hours, they are surrounded by a force greater than fear— sisterhood, resilience, and the unshakable belief that things must change. What to Expect if It’s Your First March For those joining the march for the first time, it is a space that holds multitudes. The energy shifts from moment to moment— grief, anger, hope, solidarity.  Some walk in silence, holding photos of missing loved ones. Others chant, fists raised, voices demanding justice. Along the route, walls become canvases for messages of defiance. It is a powerful, emotional experience—one that can be overwhelming. How to Prepare Women who have marched before often share advice for those joining: Wear comfortable clothing and shoes.  The march can last for hours. Bring water, snacks, and a bandana or mask.  In past years, authorities have used tear gas. Walk with a group if possible.  There is safety in numbers. (Scroll down to see how to join Hermanas) Be open to the emotions that arise. Wear something purple Beyond the March March 8th is not just one day—it is a reflection of the battles fought every day. In homes, workplaces, communities, and policy-making spaces, the fight continues.  The march is a reminder of the work still to be done, a space to channel pain into action, to demand better, to refuse to be forgotten. For those who step into the march for the first time, it is a moment understanding that this movement is not distant— it is personal, it is urgent, and it belongs to everyone. MARCH WITH HERMANAS — RSVP to show your interest in marching with us We will follow the same march schedule as " WE R WOMEN ON FIRE ". Meeting point: Fuente de la Diana Cazadora Meeting time: 11:30 a.m. Time to advance: 12:30 p.m. Resources to go deeper: Why women in Mexico protest instead of celebrate by Teach Us Consent — Putting consent, respect and empathy at the heart of sex education Revolución Violeta — Initiative against gender-based violence in Latin America   WE R WOMEN ON FIRE The Yucatan Times — Over 180,000 people attended the 8M march in CDMX 48 hills — No “Happy Women’s Day” at Mexico City’s radical March 8 protests Ojalá — 8M in Mexico City: feminist fight and renewal

The Mycelium is a movement of women coming together to inspire and support one another — personally, professionally, and culturally. It’s a statement of collective evolution, an open invitation to all women who resonate with our mission— regardless of financial circumstances . We’ve heard your voices : many of you want to contribute in meaningful, non-monetary ways that reflect your unique skills and capacity. In response, we’re proud to introduce the Mycelium Grant Program —an initiative that embodies the values of Hermanas, and ensures the Mycelium remains an inclusive community. A Membership Model Rooted in Reciprocity This new structure allows each woman to participate in a way that works for her, creating a balanced, inclusive ecosystem. "Aspire" $0 - Full grant For women facing financial challenges but eager to contribute their skills, ideas, and potential to the community. "Rise" 2,000MX/year (≈100 USD) - Half grant For women navigating financial constraints while advancing in their journey, offering meaningful contributions within their capacity and receiving support to grow. "Thrive" 4,000MX/year (≈200 USD) For women ready to fully engage with the community and commit to its collective success. "Inspire" 6,000MX/year (≈300 USD) For women who wish to enrich their journey while funding grants that open doors for others, fostering a cycle of growth and opportunity. How it works For Rise, Thrive, and Inspire: during the Mycelium application process, you can select the tier that suits your current life stage, so your contribution feels aligned and meaningful. For the full grant we offer a limited number for unique cases where financial constraints would otherwise prevent participation. If you're facing significant challenges, explore our grant FAQ to learn about available support. . Thank you for inspiring this step forward. Your requests, insights, and generosity have shaped this evolution. Whether you’re receiving or providing support, your role strengthens the Mycelium as a place where all women can thrive.

In a world where homes have become commodities, we collectively have both the opportunity and the responsibility to rehumanize housing transactions—and it starts with each of us. Together, we are building a shared economy where human connection comes first, local cultures are honored, and the effects of expatriation and gentrification are consciously addressed. As we aim to shape a community where we all feel at home, these guiding principles ensure Pollen remain rooted in the values that matter for the long run: Safety & Security First Women's safety is our priority. Hosts and guests commit to creating an environment of trust, protection, and mutual respect. Intimate Care Hosting and staying are intimate acts of trust. We care for spaces as if they were our own, ensuring they remain welcoming and well-maintained. Fair & Ethical Pricing Pricing should be reasonable and considerate of both hosts and guests, ensuring affordability and mutual benefits. Respect for Local Communities Every place has a story. We engage with awareness, ensuring our presence enriches rather than disrupts local culture. Clear and Honest Communication Transparency fosters trust. Clear expectations in listings and interactions make for smoother experiences. Kindness in Every Interaction By actively listening, offering help when needed, and approaching conflicts with empathy, we create a culture where everyone feels genuinely supported. Women Supporting Women By choosing to host and stay within this community, we actively support one another’s journeys. Sustaining Our Values as We Grow Hermanas is more than a shared economy—it’s a movement. As we expand, we remain committed to inclusion, mindfulness, and community-driven impact. Join Hermanas Housing Community, find welcoming homes and respectful guests around the world.

Marsica Fossati’s work is a dialogue between eras, materials, and philosophies. Her latest project in collaboration with Fundación Wabi, Space Is a Magic Place (But Earth Is Better) , continues this exploration. Inspired by her travels through Mexico and her encounters with both natural landscapes and architectural wonders, Fossati envisions a world where design is deeply symbolic. Drawing on sci-fi narratives, ancestral traditions, and the interplay between spirituality and materiality, she crafts a speculative reality where extraterrestrial visitors have shaped human creativity—not as conquerors, but as mentors. In this conversation, we discuss the evolving role of craftsmanship in an increasingly digital world, her fascination with objects as vessels of memory, and how this exhibition transforms the idea of space—both cosmic and physical—into something intimate, immersive, and profoundly human. Design & Creativity Q: As someone with a background in design, what do you see as the fundamental difference between design and art? Where do they overlap, and where do they diverge? A: Design and art share a deep connection, yet they serve distinct purposes. The fundamental difference lies in intent: art is driven by self-expression and interpretation , while design is solution-oriented and functional . Art exists to provoke thought, emotion, or aesthetic appreciation, often without a defined "right" or "wrong" outcome while design functions within specific constraints, including user needs, functionality, timeframes, and practicality. But the boundary is increasingly fluid nowadays . Contemporary artists integrate design principles into their work, while designers often venture into the domain of art. Q: Your work often merges craftsmanship with a sense of narrative and atmosphere. How do you approach creativity—does it emerge from intuition, research, material experimentation, or something else entirely? My creative process is a blend of intuition, research, and experimentation , all working in dialogue with one another. Intuition often serves as the initial spark… an idea, a feeling, or a mood that sets the direction. With my background in interior design, envisioning the space where an object will exist is essential . The surrounding environment deeply inspires me, often serving as the starting point for my creative process. I have a deep passion for craftsmanship—everything made by hand represents a true expression of creativity and vitality. That’s why each of the pieces I have designed till now is carefully and “skillfully” handcrafted. Q: You’ve spoken about nostalgia for objects from the past and the value of craftsmanship. In a world increasingly defined by rapid production and digital environments, how do you see the role of handcrafted, tangible design evolving? A: Yes ! In a world dominated by rapid production and digital experiences, handcrafted design holds even greater significance  as a way to preserve authenticity, storytelling, and human connection. Craftsmanship has a soul and as technology accelerates, I think there is a growing appreciation for objects that carry a sense of history and  imperfection. Unfortunately, I see handcrafted design evolving separately from technology. I don't believe the human touch and traditional techniques can truly coexist with technological advancements. "Space Is a Magic Place (But Earth Is Better)” Q: Tell us about how the idea for this exhibition was born. Was there a particular moment, image, or thought that set the entire project in motion? The creative flow that led me to create Meteorite  and Starship  began three years ago after my visit to Casa Wabi in Puerto Escondido. At that moment, I envisioned a stainless steel Temazcal , resembling a spaceship that had landed in a desert of cacti, mirroring the beauty of the surrounding landscape. This vision was rooted in an experience I had just days earlier during a trip to Baja California . Wandering through the desert, I came across a gleaming, abandoned Airstream , which, from a distance, looked like a spaceship that had landed on Earth long ago. At the time, I was deeply immersed in Mexican ancestral medicine , frequently engaging in temazcales  as a way to heal my spirit. This convergence of experiences shaped the foundation of the pieces I would later bring to life. Q: This project imagines alien visitors returning to Earth to assess our spiritual development. If they were to evaluate us today, do you think they’d be impressed, disappointed, or something in between? I think it really depends on where they land. hehe But in general, If alien visitors were to assess our spiritual development today, I believe they would find a paradox. On one hand, they might be disappointed  by our increasing detachment from nature, the rise of materialism, and the way technology often isolates rather than connects us on a deeper level. Wars, environmental destruction, and a loss of ancestral wisdom might signal to them that humanity is still struggling with its own ego and short-term vision. Yet, at the same time, they might also be intrigued and hopeful  (as I am).  There is a growing global awareness of mindfulness, sustainability, and a return to spiritual traditions. More people are seeking meaning beyond consumerism. Future & Dreaming Forward Q: This exhibition imagines a past in which aliens influenced human creativity. If you could design an object to send into space—an artifact representing Earth’s design philosophy—what would it be? Nothing too extravagant. I would stay grounded in our ancestral roots. I would send a silver ceramic sculpture  into space, perhaps in the form of an animal. It would symbolize our deep connection to nature while embodying our endless curiosity about the universe. The silver finish would add a futuristic “fashion” touch, a bit spacey, just to let them understand how humanity has envisioned space in the collective imagination up until now. Q: Looking to the future, what’s next for you? Are there any new projects, materials, or conceptual explorations you’re excited to dive into? I want to keep exploring more conceptual objects and expand beyond what I’ve done so far. My goal is to continue incorporating traditional techniques while experimenting with the fusion of past and future, art and design. I have so many ideas, and I can’t wait to start bringing them to life. Q: You’ve built a career bridging luxury, craftsmanship, and storytelling. If you could dream beyond the limits of reality, what would be your ultimate project—the one that feels almost impossible, but that you’d love to create? A: If I could dream beyond the limits of reality, my ultimate project would be a monumental, immersive structure.. part sculpture, part sanctuary… where art, nature, and spirituality converge . Also in this project would merge ancestral craftsmanship with futuristic vision . Imagine a floating temple on the Oaxaca coast, with whales passing by,  or set in the middle of a desert or deep in the jungle in Chiapas , crafted from materials that evolve with time, reflective metals, ceramics that age beautifully, wood and organic elements that breathe with the landscape.  I imagine a space for contemplation of the skies, gathering, and real connections, where design becomes an emotional and almost mystical experience. EXPLORE MORE: @marsicafossatti @marsica_ www.marsicafossatti.com Experience the Meteorite  and Starship  at Fundacion Wabi. MEXICO CITY ART WEEK 2025- THROUGH THE LENS OF HERMANAS

Some artists create music; others sculpt environments, bending sound into something immersive, physical, almost alive. Dragana operates in that in-between space, where music isn’t just heard—it’s felt and absorbed. Her work thrives on tension and release, on frequencies that unsettle before they soothe, on the idea that sound doesn’t just exist in a vacuum but is shaped by the spaces it inhabits. In this conversation, we step into her world—one where context is king, silence speaks as loudly as distortion, and the line between sound and sensation is deliberately blurred. We talk about the places that shape her work and the emotions she aims to evoke.  Q: What role does context play in your performances? A: The music is  the context. A sound in a warehouse isn’t the same as sound in a forest. The way the air moves, how the walls absorb or reject frequencies, how the people in the room shift their weight - it all feeds back into the sound. Q: You work a lot with tension and release—how do you approach this in your sets? A: I like to hold a moment until it almost breaks, then either let it collapse or twist it into something unexpected. Silence is part of it, too. Sometimes the best way to create tension is to play with the feeling that something is about to happen. Q: Are there particular environments (physical or emotional) that you feel enhance the experience of your sets? A: Anywhere that feels like a threshold. A completely blacked-out room with no sense of walls or scale. Where your ears do all the seeing. A brutalist concrete bunker, where the low-end swallows you whole. A vast, open field where the sound dissolves into the horizon. Buildings with half-finished walls. Airports at 3AM. Deserted locations… Places where time stretches, where reality feels slightly off. Emotionally…The space between memory and dream - when you’re half-awake and unsure if what you’re hearing is real or fantasy. Q: How do you select the tracks that make up your sets? A: I don’t always fully prepare. Sometimes I just set up and see what emerges. A lot of it is about finding a balance between control and chaos - guiding the texture without taming it too much. Q: Do you see your sets as storytelling, or is it more about creating a state of mind? A: It’s a place, not a story. If you step into it, you might find a narrative, but it’s not one I’m telling.  More like a landscape with no map. Q: Are there any non-musical influences that shape your approach? A: Weather. Architecture. Sensuality. Cinematic sound design, especially when it’s more felt than heard. I like music that behaves like fog - seeping into space, rather than occupying it. Q. Do you work with improvisation, or is your expression tightly structured? A: Both. The best moments happen in the liminal between improvisation and structure. When a system is structured enough to create something unexpected and lets you respond in real time. Q: Do you think the audience’s perception of sounds shifts depending on the cultural or social setting? Definitely. In some places, people let the sound wash over them. In others, they dissect it, looking for structure where there isn’t one. I like when people stop trying to figure it out and just listen. If it doesn’t feel like you’re inside the sound, I haven’t done my job. Q: Do you see yourself integrating other art forms or disciplines into your work? A: Sound is already visual, physical, architectural. I’d like to work more with spaces that shift based on the frequencies inside them. Q: What emotions or thoughts do you hope to evoke in your listeners? A: Disorientation evolving into clarity. A sense of being nowhere and everywhere at once. I want the sound to pull you under, to make you forget where the edges are - like walking into a fog so dense you can’t tell if you're moving forward or standing still. And then, just when you surrender to the drift, something sharp cuts through - a frequency, a shift in texture, a sudden silence - that makes you realise you've been holding your breath.  It’s about dissolving perception, then snapping it back into focus. Like waking up from a dream you weren’t sure you wanted to leave. EXPLORE MORE Soundcloud @theartof_dragana Art week Shows: Altara 6th of feb Giegling 8th of feb  MEXICO CITY ART WEEK 2025- THROUGH THE LENS OF HERMANAS

Where to Eat & Drink Ultramarinos EAT Coqueto Esquina sin nombre Fugu Sushi Hugo Loup bar Mendl Ultramarinos Roca HiFi DRINK El tigre silencioso Niv Roca HiFi Salon Palomilla Trampa COFFEE & SWEETS Bottega Cafe Tormenta Saint Where to Shop Amora Campillo Carla Fernandez Casa Bosques Cynthia Buttenklepper Lorena Saravia Sandra Weil Xinú Perfumes MEXICO CITY ART WEEK 2025- THROUGH THE LENS OF HERMANAS

Over the past two decades, ZⓈONAMACO has not only redefined the contemporary art landscape in Mexico but has also cemented its position as the leading art fair in Latin America. What began as a platform to nurture the Mexican art scene has transformed into a global hub for cultural exchange, fostering a dialogue that extends far beyond the region. To understand the fair’s evolution and its impact on the international art scene, we spoke with Zélika García, the visionary founder of ZⓈONAMACO. She reflects on how the fair has grown to consolidate Mexico City as a global cultural epicenter, driving conversations between artists, curators, and collectors while expanding opportunities for Latin American artists on the world stage. With Mexico City now firmly established as an international art capital, this year fair’s edition reflects the fair’s ongoing commitment to artistic innovation and market expansion. In anticipation of the upcoming fair, we explore its evolution, impact, and the must-see moments that will define Art Week in Mexico City, offering insights from Zélika García and the key figures shaping the event. Evolution and Impact of ZⓈONAMACO Q: This year marks another exciting edition of ZⓈONAMACO. How do you see the evolution of the fair since its founding, and what role does it play today in shaping the Latin American art market? A: Since its founding 21 years ago, ZⓈONAMACO has become the leading contemporary art fair in Latin America and an international benchmark. What we started as a platform to foster, collect and strengthen the Mexican art scene has grown, consolidating Mexico City as a global cultural epicenter. Today, ZⓈONAMACO not only drives the Latin American art market but also generates dialogues between artists, curators, collectors, and institutions worldwide. Our fair has been part of the international projection of Mexican and Latin American art, supporting its presence in collections and institutional spaces globally. Highlights and Themes for the 2025 Edition Q: Can you share some of the standout galleries, artists, or curated sections that define this year's fair? Is there an overarching theme or narrative emerging for 2025? A: This year, ZⓈONAMACO reaffirms its commitment to contemporary art through a careful selection of galleries and curated sections that explore current art trends. The ZⓈONAMACO EJES section continues to be a fundamental space for experimental and critical discourse, while ZⓈONAMACO SUR delves into curatorial narratives with innovative approaches. Additionally, our collaboration with the Erarta Foundation, which awards a $100,000 USD prize to the artist most voted by the public, is one of the most exciting initiatives this year. This year also highlights the integration of an online fair in collaboration with Always Art, which will allow collectors from around the world to access and acquire works digitally. With this expansion, we aim to adapt to the current dynamics of the market and continue innovating in how art is experienced and commercialized. Travesía Cuatro Must-See Exhibitions and Events during Art Week Q: Along with ZⓈONAMACO, Mexico City’s Art Week is filled with exhibitions and events. What exhibitions or cultural events are essential for collectors and art lovers visiting the city next week? A: For the past 21 years, we’ve nurtured and consolidated Art Week in Mexico City, a collaborative effort between galleries, museums, institutions, and collectors to attract international attention—this phenomenon now defines the city's cultural calendar. From this platform, efforts have been joined to present exhibitions and activities surrounding the fair. This year, besides ZⓈONAMACO, I recommend visiting exhibitions at the Tamayo Museum , the MUAC , and the Jumex Museum . Also, a visit to galleries like kurimanzutto , OMR , and PROYECTOS MONCLOVA , which feature international contemporary art projects, is a must. Within ZⓈONAMACO, our conversation program brings together key figures from the art world, such as Estrellita B. Brodsky and José Roca, who will discuss collecting as activism, as well as a panel with directors of international institutions on the current challenges facing museums. This edition will also feature the awarding of important prizes, such as the Erarta Foundation Art Prize and the Tequila 1800 Collection Prize, continuing to position the fair as a global art epicenter. Advice for International Art Enthusiasts Q: For international visitors coming to Mexico City for Art Week, what are your personal recommendations, whether it's a lesser-known gallery, a must-visit cultural institution, or even a favorite local spot for dining and relaxing? A: Mexico City is a fascinating destination for any art lover. Museums like the Tamayo Museum, the MUAC, the Museum of Modern Art, or the Jumex Museum should be on your agenda for the week, as their programming adds to the fair's parallel activities, with inaugurations, conferences, and several special events.The experience can be complemented after a day of art with culinary offerings such as Kakurega Omakase, which serves an exquisite Japanese menu, and Cuerno , which offers innovative Mexican cuisine. For taco lovers, El Califa is a must-stop, while Cancino delights with artisan pizzas, pastas, and high-quality salads. If you prefer Mediterranean flavors, Bistro at Humano is a great choice, and for classic fast food, Shake Shack brings its iconic burgers and milkshakes. For something sweet, Ladurée offers French macarons, and Nevería Roxy serves artisanal ice creams and sorbets with fresh seasonal fruits. 193 GALLERY Mexico City as a Global Art Hub Q: With the growing global recognition of Mexico City as a cultural epicenter, how do you think ZⓈONAMACO will contribute to this momentum? What makes the city a destination for artists, collectors, and institutions? A: Mexico City has become a reference point for global art thanks to its diversity, vibrant scene, and blend of history and avant-garde. ZⓈONAMACO has played an important role in this positioning, attracting collectors, curators, and artists from around the world and facilitating the growth of the art market in the region. What sets the city apart is its unique energy, where everything from pre-Hispanic art to the most contemporary expressions coexist in the same ecosystem. With each edition of the fair, we strive to strengthen this dynamism—not just by showcasing art but also by fostering connections and dialogues that transcend borders. We will continue working to ensure that ZⓈONAMACO ART WEEK remains a reference platform for art in Latin America and the world. Interview by Michael Klug , Whitewall Magazine EXPLORE MORE: ZⓈONAMACO @zonamaco @zonamacodiseno @zonamacofoto @zonamacosalon MEXICO CITY ART WEEK 2025- THROUGH THE LENS OF HERMANAS